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Salsa and Its Transnational Moves, by Sheenagh Pietrobruno
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Salsa and Its Transnational Moves presents a brilliant critical analysis of salsa dancing in a major North American city. Drawing from a vast number of disciplines, author Sheenagh Pietrobruno focuses on the tension between the status of dance as a bodily expression of identity and its function as a cultural commodity within the economic life of modern day cities. This engaging work investigates the transnational movements of salsa by exploring the circulation of salsa within the Montreal dance scene, nourished by the continuous flow of a people, and examining the commodification of the Latino culture. Pietrobruno's analysis is singular in highlighting how the migration of a people and a dance represent displacements that are not always homologous. At the core of this work, Pietrobruno offers an extensive and intricate ethnography of the institutions and individuals involved in shaping the Montreal salsa scene that will appeal to academics and general audiences alike, who are interested in the study of anthropology, popular music, dance, gender, ethnicity, and culture.
- Sales Rank: #2438845 in eBooks
- Published on: 2006-03-07
- Released on: 2013-07-30
- Format: Kindle eBook
Review
This splendid book captures salsa dancing as both a global phenomenon, carried throughout the world by migrants and media technologies, and as a local practice, rooted deeply in the distinct cultures of different cities. Pietrobruno deftly combines richethnographic observation with a well-researched account of salsa's origins, development and ongoing transformations. The book moves towards a compelling engagement with dance's place in a world of digital communications and within what Pietrobruno callsvirtual migrations. This is a genuinely interdisciplinary book, one which will interest scholars of dance, diasporic cultural practice, media and popular music... (William Straw, professor of communication studies, McGill University)
This splendid book captures salsa dancing as both a global phenomenon, carried throughout the world by migrants and mediatechnologies, and as a local practice, rooted deeply in the distinct cultures of different cities. Pietrobruno deftly combines richethnographic observation with a well-researched account of salsa's origins, development and ongoing transformations. The book moves towards a compelling engagement with dance's place in a world of digital communications and within what Pietrobruno calls "virtual migrations." This is a genuinely interdisciplinary book, one which will interest scholars of dance, diasporic cultural practice, media and popular music. (William Straw, professor of communication studies, McGill University)
From the Back Cover
This splendid book captures salsa dancing as both a global phenomenon, carried throughout the world by migrants and media technologies, and as a local practice, rooted deeply in the distinct cultures of different cities. Pietrobruno deftly combines rich ethnographic observation with a well-researched account of salsa's origins, development and ongoing transformations. The book moves towards a compelling engagement with dance's place in a world of digital communications and within what Pietrobruno calls 'virtual migrations.' This is a genuinely interdisciplinary book, one which will interest scholars of dance, diasporic cultural practice, media and popular music.
Reviw Source: William Straw, McGill University
About the Author
Sheenagh Pietrobruno is a Postdoctoral Research Fellow at Goldsmiths College, University of London.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Unique view
By flashman
I have to disagree with the other reviewer. Firstly it is about dance rather than music and secondly, if the first reviewer read more than an extract he would realize Pietrobruno credits Puerto Ricans. This is a useful book for anybody interested in the cultural influence of salsa.
0 of 6 people found the following review helpful.
Ms. Pietrobruno's is NOT qualified to write about elevator music much less write about Latin Music
By Jool
I had the misfortune to read an excerpt of Ms. Pietrobruno's book. To be succinct: Ms. Pietrobruno was biased to say the least when you stated that Puerto Rican musicians "lacked creativity" and were not responsible for Salsa's evolution that took place in the 60's/70's. Ms. Pietrobruno w/a name like that, you shouldn't be allowed to write about elevator music, much less about Latin music. How pathetic.
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